An author of a best selling holiday book becomes entangled in tinsel when she and her kids are dispatched by a TV talk show to a rural town where she is given two weeks to recreate the magical childhood Christmas described in her book.

Bookstore owner Emma believes in fairy tales. Although she has yet to be swept away by prince charming, she sees real knight in shining armor potential with a new suitor, Landon. As Emma balances time with Landon and saving her bookstore with once irritating business consultant, Eric, however, she weighs storybook romance against genuine commitment. While she sorts out her feelings toward Landon and Eric, as well as toward love and romance, Emma begins to realize that fairytale endings aren't always by the book.

An author of a best selling holiday book becomes entangled in tinsel when she and her kids are dispatched by a TV talk show to a rural town where she is given two weeks to recreate the magical childhood Christmas described in her book.

This is Su Zhong's second VR project, which combines imagery, dance and installation to create a kind of dialogue. It is an attempt at a directorial approach that falls somewhere between film and theatre. All of the scenes are taken from the paintings of Edward Hopper.

This is Su Zhong's second VR project, which combines imagery, dance and installation to create a kind of dialogue. It is an attempt at a directorial approach that falls somewhere between film and theatre. All of the scenes are taken from the paintings of Edward Hopper.

Edward Hopper (1882 - 1967) is one of the best known and most admired of American artists. He found poetry in quiet, private moments set in unexceptional places, such as anonymous hotel rooms, diners (Nighthawks), gas stations, and traditional houses. Within these urban or small-town spaces, Hopper created iconic images of American life that present us with the possibility of narrative, but ultimately remain enigmatic. Rather than depict a specific story, they suggest a universal, shared experience. This film traces Hopper's varied influences, from French impressionism to the gangster films of the 1930s. The documentary uses archival photos and film, specially shot footage of locations painted by Hopper in New York and the New England coast, and interviews with artists Eric Fischl and Red Grooms, scholars, and curators. Narrated by Steve Martin

Edward Hopper (1882 - 1967) is one of the best known and most admired of American artists. He found poetry in quiet, private moments set in unexceptional places, such as anonymous hotel rooms, diners (Nighthawks), gas stations, and traditional houses. Within these urban or small-town spaces, Hopper created iconic images of American life that present us with the possibility of narrative, but ultimately remain enigmatic. Rather than depict a specific story, they suggest a universal, shared experience. This film traces Hopper's varied influences, from French impressionism to the gangster films of the 1930s. The documentary uses archival photos and film, specially shot footage of locations painted by Hopper in New York and the New England coast, and interviews with artists Eric Fischl and Red Grooms, scholars, and curators. Narrated by Steve Martin

The Russian war of aggression in Ukraine is not only waged with bombs, rockets and rocket-propelled grenades, but also in the media. It is a "propaganda battle" internally and externally. Russia spreads targeted disinformation in order to systematically devalue news. At the same time, their own population should be convinced that they want to liberate Ukraine from Nazis. Ukraine's narrative wants to emotionally mobilize its own population and strengthen resistance to the aggressor. Spindoctors are of particular importance in the propaganda battle over Ukraine. On the Ukrainian side, it's often influencers like Oleksiy Arestovych. On the Russian side, Vladimir Solovyov, Putin's snout, is supposed to sell the war to his own people with his daily TV talks. The documentary shows the new front lines of virtual warfare and provides insights into the populists' bag of tricks on social networks.

Behind the scenes of Edward Scissorhands

Behind the scenes of Edward Scissorhands